P3.2.2 – Head and Shoulder portrait

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Sketchbook study thinking about tonal areas

I thought I’d try out a study in my sketchbook expecting this to be the only attempt so that I could quickly move on (I have a tight schedule on this course). However, I knew I could do better and so figured it what I needed to improve and work on and then apply it to a larger attempt.

I need to work on proportion and sizing (eyes especially), making sure I vary the tones more and keeping the values consistent with an original skin tone.

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This marking out allowed me time to plan more areas for tonal variation. By this time I felt tuned into the subject and facial features. I noticed freckles and lines and additional shadows I hadn’t noticed before.

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Between sketching out and filling in with paint, the eyes had changed shape. This was frustrating. However, I was really happy with the dark and mid tones at this stage. I found myself adding detail too soon as I was desperate to see it look real for me to be happy and continue. Next time I would block it all in and then build detail in.

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At this point I walked away and gave it chance, taking photographs so I could assess what I needed to amend – eye shape and detail, hair tones, definition and colours. I definitely need to work on hair. I chose a bluey green to complement the skin tone but also to represent the naturalness and peace of the woman.

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If I was to revisit this, I would work on the centre neck sinews. There is too much contrast and it is distracting. I would work to blend the defining lines a little more.

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